A mischievous book by Claes Oldenburg showed me the importance of realising an idea physically, writes Andy Martin
I first came across Notes in Hand in the mid-1970s, when I was a freshly enrolled graphics student trying to make visual sense of the world, writes Andy Martin.
Tereza Bettinardi designs ‘Cursos e Oficinas’, an abstract and vibrant book series for São Paulo organisation Sesc. By Jan Middendorp
Tereza Bettinardi is from Santa Maria, in the centre of Brazil’s southernmost state, where she studied journalism and graduated in graphic design in 2006, writes Jan Middendorp.
Join us at St Bride Library for Eye’s quarterly Type Tuesday event on 3 March 2020, to hear Marina Willer, Anthony Pearson and Dinah Casson talk about exhibition design
Eye magazine’s next Type Tuesday on 3 March 2020 will focus on exhibition design. STOP PRESS. This event has now sold out.
Tom Gauld commission for St Bart’s Hospital, Elda Broglio’s ‘Amor de Verano’, Yuri Suzuki’s The Welcome Chorus, the On Design podcast and a typeface for the Shoah Memorial wall in Paris
Here is a selection of things – a typographic memorial wall, a selection of Type Directors Club award winners, a sound installation, an illustrated mural and a podcast – that have caught our attention in recent weeks.
In the early 1950s, Swiss designer Gérard Ifert walked the streets of Paris on quiet Sundays, taking pictures of the colourmen’s shopfronts
The ‘designer as photographer’ is a trope that has been much explored in articles, books and exhibitions, with photos by graphic designers as different in temperament and outlook as Rudy VanderLans, Nicolete Gray, Robert Brownjohn, Wojciech Zamecznik and Ken Garland, writes John L. Walters.
This updated study of children’s picturebook illustration, by Martin Salisbury and Morag Styles, is visually rich and grounded in sound research
If you have any interest whatsoever in illustration for picturebooks, this excellent book is worthy of a place on your shelves, writes Clare Walters.