Steven McCarthy reports from Kolaj Fest in New Orleans, a new international convention that takes collage seriously – as art, medium and process
Collage, the cutting and pasting of published images and texts, straddles a spectrum – it is deceptively easy and childlike on one hand, and complex, nuanced and able to make sophisticated visual statements on the other, writes Steven McCarthy.
Join us on 4 Sept 2018 for an evening of shorts about type, lettering, design and printing, inc. the premiere of our documentary about Eye 94
Our next Type Tuesday evening at St Bride Library will be a ‘Film night’, featuring a cavalcade of short documentary films about type, lettering, design and printing culminating in the world premiere of Adrian Harrison’s 94 [8000 One-Offs].
The House of Illustration’s John Vernon Lord exhibition shows Lord’s extraordinary talent for magical narrative
You may be aware of John Vernon Lord’s work as a result of his long career as a freelance illustrator (which began in 1961) or through his lectures at Brighton College of Art, where he has taught illustration for nearly half a century, writes Clare Walters.
The ‘afFEMation’ project throws new light on influential women in Australian design history. Jane Connory explains her multifaceted project
The afFEMation project stems from my belief that designers included in the history of Australian graphic design should be measured by their local influence rather than by their connections abroad, writes Jane Connory.
What happens when you have just minutes to come up with a design? John Ridpath writes about the problem-solving benefits of ‘creative accidents’
‘Look at the photocopied type specimens on the table. Pick a letter “A” that you like. Draw a copy of it anywhere on your sheet of paper, using charcoal. It can be big or small, you can rotate it, you can draw it partially off the page. You have five minutes.’ Rod Judkins has just issued the first brief of ‘100 Design Projects’, a five-day course at Central Saint Martins, writes John Ridpath.
A report from the informal annual gathering of signwriters, pinstripers, calligraphers and other lettering experts. By Helen Ingham
Last month the ‘Letterheads’ met for their annual meeting, which this year took place in Oslo, Norway, writes Helen Ingham.
Ink soaks into paper as Daniel Eatock’s mark-making processes result in a riot of colour
Designer and artist Daniel Eatock has a good-natured but unswerving way of reducing things to their essence, writes John L. Walters.
A-B-Z-TXT is an intensive, four-day getaway, a summer school that blends graphic design with media arts and a dash of linguistics
What is a design school? A silly question, of course, writes Michèle Champagne, but one prompted by the massive growth of art and design programmes at universities and the strict disciplinary boundaries that still haunt them.
Emigre specimens, Sunday Clarendon, Sinem Erkas, drawing type, from sketch to screen and Fontsmith’s TypeNotes
Here are a few type and lettering things – books, magazines, alphabets – that caught our attention in recent weeks.
When the world is in flux, book design offers ‘a refuge of certainty’. Andrew Howard explains why he founded the Porto Design Summer School
There is a particularity about the education system which we take as given – that students, from infant school to university, are grouped together according to their age and experience, writes Andrew Howard.