Jonny Hannah’s Fast Cars and Ukeleles; Pink: The History of a Punk, Pretty, Powerful Colour; Sébastian Morlighem’s Essaime; and The Eye
Here is a selection of books that caught our attention in the dog days of 2019.
An exhibition at London’s Japan House explores the materiality of paper
‘Takeo Paper Show: Subtle’ is a touring exhibition curated by graphic designer Kenya Hara, writes Janet South.
Kevin J. Hunt reviews Paul Jackson’s accessible new book about pattern-making
Paul Jackson, an origami artist and design teacher, has created a highly accessible guide to making repeat patterns that encourages playfulness, adaptation, experimentation and vital rule-breaking, writes Kevin J. Hunt.
Neurath and Kahn – the impresarios of early twentieth-century infographics. Review of Image Factories. Infographics 1920-1945
Image Factories. Infographics 1920-1945’s humble appearance belies its contents – a wealth of precious knowledge and visuals, and an elaborate inner design that uses three different papers and special colour prints, writes Sandra Rendgen.
Come to Type Tuesday at St Bride for an unforgettable evening of art, illustration, lettering and typography for maps. Plus free glass of fizz
The next Type Tuesday is ‘Max Gill and maps’ at St Bride Library, and we hope that many of you will be joining us for the final Eye event of the year.
Graphic design academics assemble in Sheffield to prepare for the next REF, the Research Excellence Framework. Report by Steve Rigley
The Research Excellence Framework (REF), which takes place every seven years, is the means by which UK funding councils assess the quality and impact of academic research in higher education, writes Steve Rigley.
Harry Woodgate’s science-driven illustration and design for A People’s Manifesto for Wildlife creates a human connection for its readers
In the long history of manifestos, many are as visually engaging as they are strong in their rhetoric. So when Chris Packham decided to publish A People’s Manifesto For Wildlife, he turned to illustrator and designer Harry Woodgate to help with his vision, writes Nigel Ball.
The third edition of Torino Graphic Days, a ‘visual design festival’, shows the playful side of visual communication
In just two years, Torino Graphic Days (TGD) has developed into an ambitious and wide-ranging international ‘visual design festival’, writes Andrew Robertson.
100 Archive presents graphic design from Ireland, together with work made by Irish designers worldwide. By Aideen McCole
Several years ago a group of Dublin graphic designers decided to create the online platform 100 Archive, writes curator Aideen McCole.
What next for AGI? Outgoing and incoming presidents Nikki Gonnissen and Dean Poole talk to Eye about their graphic design ‘club’
This week, the Alliance Graphique Internationale, aka AGI, has been meeting in Mexico City for the annual Congress and AGI Open, the former just for members, the latter a star-studded (and now sold-out) public conference from 28-29 September 2018.