A rare insight into the ‘quietly hilarious’ advertising artwork of William Heath Robinson.
William Heath Robinson (1872-1944) was a prolific artist and illustrator whose name has entered the dictionary as a way of describing excessively convoluted processes using people and machines, writes Andrew Robertson.
Offset’s first Sheffield conference bought together artists and designers for two days of engaging presentations and lively panel discussions
Last month, a host of speakers from across the design industry came to present their work for Offset Sheffield 2016. Here we publish the first of two reports … written by final-year students at Sheffield Institute of Art’s Graphic Design and Illustration course.
Beer cans, Dutch Alphabets, the Global Synthesizer Project, An Anthology of Decorated Papers and Chanced Arm no. 2
Here are a few things – beer cans, books, a sound installation and a magazine – that caught our attention in recent weeks.
A new collection of Steve Hare’s writing demonstrates an erudite passion for the design and content of Penguin Books
The late Steve Hare (1950-2015) was one of those writers that every editor appreciates, writes John L. Walters.
Logo Modernism, DixonBaxi, Cries of London, deValence and No Words Posters
Here are a few books that caught our attention in recent weeks.
Nigel Ball on packaging graphics, ‘gutter share’ – and whether design blogs should be more sceptical about big brand news stories
As a design educator I need to keep on top of the latest developments, writes Nigel Ball, and a large aspect of this involves reading design blogs.
Make Your Own Luck, Grafica Della Strada, classic Volkswagen ads, Kazimir Malevich, Ark and Ends Meet, Essays on Exchange
Here are a few books that have come into Eye’s Shoreditch office that caught our attention.
You’ve seen that face before. But why is Jeanne Moreau (as seen in La Notte) staring soulfully from the cover of Eye 85?
The cover of the current issue, Eye 85, has attracted lots of (largely welcome) attention in recent weeks, writes editor John L. Walters.
The National Poetry Day’s Piccadilly Circus display is a welcome drop of visual poetry in an ocean of brandspace
The big advertising displays of Piccadilly Circus have long been dominated by the big brands: Coca-Cola, McDonald’s, Samsung, etc.
Five years on, the ‘dissonant’ London 2012 visual identity still doesn’t work. Meanwhile, designers pine for Tokyo, Mexico City and Munich … By Elizabeth Glickfeld
‘Let the games begin,’ they said, and so to the latest round of logo-bashing writes Elizabeth Glickfeld. It’s lucky logos don’t have feelings.