Feature: Posters

 
Spassky Fischer: Concrete moves

Spassky Fischer: Concrete moves

The work of this prolific young French studio is founded on practicality and systems, while transcending…

 
‘As, not for’: The critique goes on

‘As, not for’: The critique goes on

‘As, Not For: Dethroning Our Absolutes’ is an itinerant exhibition of work by black designers whose…

 
Reputations: Atlas, Astrid Stavro and Pablo Martín

Reputations: Atlas, Astrid Stavro and Pablo Martín

‘You have to be the orchestra conductor, taking control of all these elements and making them magically…

 
I am a poster

I am a poster

David Crowley, curator of ‘The Poster Remediated’ at the Warsaw International Poster Biennale, examines…

 
Take my concept

Take my concept

Boris Bućan’s early posters display an audacity that challenges divisions between graphic design and…

 
The case of Romek Marber

The case of Romek Marber

The Polish-born graphic designer behind Penguin’s ‘Marber grid’ helped to define British postwar graphic…

 
Killing joke at the expense of history

Killing joke at the expense of history

Swissted’s typographic homages turn Modernist design history into hollow commodities for a new ‘blank…

 
The first couple of American billboards

The first couple of American billboards

Otis and Dorothy Shepard, the ‘Scott and Zelda’ of mid-century advertising graphics, were neglected when…

 
Pay close attention

Pay close attention

Adam Michaels and Prem Krishnamurthy of Project Projects bring deep cultural engagement to every aspect…

 
Tony Brook on collecting

Tony Brook on collecting

Spin’s founder, the subject of Reputations in Eye 86, talks about his passion for poster collecting

 
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