Feature: Typography

 
‘As, not for’: The critique goes on

‘As, not for’: The critique goes on

‘As, Not For: Dethroning Our Absolutes’ is an itinerant exhibition of work by black designers whose…

 
Minjoo Ham: Ode to darkness

Minjoo Ham: Ode to darkness

Minjoo Ham’s charming heavyweight Hangul typeface, inspired by Korean movie posters, is now available in…

 
Elaine Ramos: The book designer

Elaine Ramos: The book designer

‘We overdose on communication, but “beautiful” design circulates only between the culturally literate.’…

 
Milton Glaser: Design eminence

Milton Glaser: Design eminence

‘Buttons, flyers, posters, postcards, T-shirts and books. How primitive are the means we have to…

 
Everyday people

Everyday people

Emma Thomas and Kirsty Carter’s Apfel, A Practice for Everyday Life, brings design into the art world…

 
Business at the centre

Business at the centre

An interview with Sascha Lötscher, managing partner of G+A

 
Fritz Gottschalk and the Swiss-Canadian connection

Fritz Gottschalk and the Swiss-Canadian connection

Gottschalk + Ash International spans more than five decades, a Swiss design studio with Modernist roots…

 
Designing with urgency

Designing with urgency

From politics to culture to business, Dutch studio Thonik strikes a balance between adventurous concepts…

 
News cycle

News cycle

Italian designer Francesco Franchi brings magazine finesse to the world of daily newspapers

 
Art and ambiguity

Art and ambiguity

The identity for Venice Biennale Arte 2019, designed by Melanie Mues, distorts type across a colourful…

 
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